(C-melody and alto saxophone, 1901–56) Known as ‘Tram’ by his colleagues, Trumbauer was a player of impeccable technique who had a major influence on many saxophonists in the 1920s (notably Benny Carter and Lester Young). He first recorded in 1923 with the popular Benson Orchestra of Chicago and by 1926 was playing alongside cornettist and kindred spirit Bix Beiderbecke ...
(Trumpet, vocals, b. 1939) As rock’n’roll lost its way in the late 1950s, good looks replaced musical ability and Philadelphia-born Francis Avalon became a teen idol via a series of forgettable pop hits like 1959’s million-selling US No. 1, ‘Venus’. Frequent exposure on the American Bandstand TV show produced two dozen US hits by 1962, and ...
(Vocal group, 1955–65) New Yorker Lymon (1942–68) was invited to join a school vocal group with Sherman Gaines (1940–78), Jimmy Merchant, Joe Negroni and Herman Santiago. Before finding Lymon, the others, who were known as The Premiers, were working on a song they had written, but needed a soprano lead voice, a vacancy Lymon ...
(Vocal/instrumental group, 1980–87) Fronted by the charismatic Holly Johnson, FGTH – Paul Rutherford (vocals), Peter Gill (drums), Mark O’Toole (bass) and Brian Nash (guitar) – hit Britain with three consecutive No. 1s: the exciting, synthesized funk pop of 1983’s ‘Relax’ (banned by the BBC) and ‘Two Tribes’ – both precursors of house music – and the huge ballad ...
The most strikingly original and authoritative voice on cornet since Louis Armstrong, Leon ‘Bix’ Beiderbecke set the example for a generation of aspiring white jazz players during the 1920s. His meteoric rise to fame was followed by a dramatic fall from grace that led to his ultimate death from alcoholism at the age of just 28 in 1931. A Self-Taught Genius ...
(Guitar, 1902–33) Philadelphia native Salvatore Massaro joined the Mound City Blue Blowers in 1924 and by the mid-1920s had become jazz’s first in-demand session guitarist, backing various blues and popular singers. A single-note virtuoso, he was also jazz’s first guitar hero. In 1926, Lang teamed up with high-school pal Joe Venuti for some classic guitar-violin duet sessions ...
(Vocals, quills, guitar, 1874–1930) A son of former slaves, Henry ‘Ragtime’ Thomas specialized in the quills, a panpipe-like instrument made from hollow reeds. He was itinerant for most of his life, a fact reflected in songs such as ‘Railroadin’, in which Thomas names train stops from Fort Worth to Chicago. His ‘Bull Doze Blues’, renamed ‘Goin’ ...
(Violin, bandleader, 1890–1967) Erroneously dubbed ‘The King Of Jazz’ by press agents, Whiteman led his first dance band in San Francisco in 1918. Arriving in New York in 1920, he assembled some of the city’s top musicians and gained popularity with hits such as ‘Japanese Sandman’ and ‘Whispering’. In 1924 his orchestra premiered George Gershwin’s Rhapsody In ...
Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...
Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...
(Vocals, b. 1942) Philadelphia-born Robert Ridarelli regularly appeared on Paul Whiteman’s TV talent show, and played with Frankie Avalon in Rocco and The Saints, before signing with the local Cameo label in 1959. His biggest success was 1960’s million-selling US Top 3 hit, ‘Wild One’, although the same year’s ‘Volare’ (US Top 5) has aged better. Probably ...
(Trumpet, 1889–1949) William Geary ‘Bunk’ Johnson, a New Orleans trumpeter with good reading and improvising skills, said that he played in Buddy Bolden’s pioneer band before 1900. He was certainly associated with Frankie Duson and other Bolden cohorts, and was famous as a showy, lyrical soloist. Johnson’s nickname rose from his loquacity, and he was ...
(Guitar, producer, 1924–2001) Tennessee-born Chester Burton Atkins, whose father was a music teacher, was one of the most influential twentieth-century guitarists, and was initially influenced by the finger- and thumb-picking country-style playing of Merle Travis. Signed to RCA from 1947, he made scores of mainly instrumental albums, and in 1955 became the head of ...
David Bowie has inspired more musicians than most recording artists, but he naturally also had his own formative influences. Who Does He Love ? It almost goes without saying that Elvis Presley was important to him: few of the musicians who became teenagers in the Sixties weren’t overwhelmed by The King’s stunning larynx and greaseball beauty. Perhaps revealingly, Bowie ...
(Vocal group, 1958–present) Formed in New York’s Bronx in 1958 by Dion DiMucci, Angelo D’Aleo, Carlo Mastangelo and Fred Milano, this doo-wop group had had several US hits by 1960, including 1959’s ‘A Teenager In Love’, also a UK hit. Dion went solo in 1960, scoring more US hits, the biggest 1961’s million-selling US ...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.